Until recently, I used to think that upon reaching a…ahem…certain age, I would see the evolution of my writing process level off and stabilize, a sort of “We’ve arrived, darling, so you can relax now!” moment where I could rest on my laurels and, at the very least, not get actively worse.
In other words, I would transition from the very rough and immature writing that is the (extremely self-evident) product of my inept youth to the more mature, polished writing that comes with life experience and practice.
Lots and lots of practice.
Ultimately, my expectation was this evolution in my writing would hit ‘peak’ maturity (or as ‘peak’ as my maturity allows) and then I’d be settled in and have very little left to learn or add to my repertoire.
And as with just about everything else I think about life, I was wrong.
Recently I was asked if I’d like to adapt some of my written work into a radio drama. I’d never written a radio drama before, the closest I’d ever come to it being writing a couple of plays in college many years ago.
Many, many years ago.
I remembered listening to “The Hitchhiker’s Guide To The Galaxy” and “The Empire Strikes Back” radio programs even many more years ago, and I had nothing but fond memories, so naturally I said yes.
I’m glad I did.
Writing for a book (or short story) is a very different process than writing for a radio program. There’s the oft-repeated old saw applied to writing that you must “show, don’t tell,” which is basically an instruction not to dump a lot of boring exposition into your prose when you can describe the events instead.
To wit:
“He was so angry with himself for eating the whole pizza in one sitting.”
vs.
“Reginald stared hard in the mirror, disgusted with the weak-spined man, if ‘man’ was the right word, staring back. Even his internal organs couldn’t hide their disdain at the selfish act of desecration his dining choice represented – his heart burned with the fire of a thousand suns and his stomach quivered and heaved with the sort of restless fury that could only portend a long, violent session on the commode. A commode that, Reginald realized with shame, he didn’t deserve. ‘What was I thinking!? A whole pizza? And with pineapple on it!?’ No, there was a special place in hell for Reginald, and he would make no effort to resist his well-deserved journey there.”
This is also good advice if you are being paid by the word.
But paradoxically, writing for the radio is literally telling, not showing. The medium precludes showing the audience anything.
OK, I know, technically the written word also imposes this same limitation, but you can have picture books and there is an accepted convention that you can describe events and people’s thoughts outside of your characters’ dialogue. So it’s easier to ‘show’ in a short story or novel without sounding all stilted and overbearing.
Yes, you can just have a narrator explain the unspoken bits in your radio drama in-between stretches of dialogue, and there are examples of radio shows that do just that. But I didn’t like it. It felt like taking the easy way out.
Well, I say I didn’t like that approach. Not entirely true. My disdain for the approach wasn’t strong enough to prevent me from trying it (I’m a big fan of the easy way out), but the feedback I got for that draft of the script was, to be blunt, that it flat out doesn’t work. No doubt this reflects more on me and my writing than on the technique itself.
Denied the easy way out, I was forced down the more arduous path of “figuring out what the hell to do to make this damned script work.”
At first, I felt limited by the different requirements for a radio script. But I slowly came to discover that the constraints of radio weren’t limitations at all. In actuality, they opened up new possibilities and pushed me to expand my understanding of storytelling.
It was a journey of self-discovery, and while an unwilling passenger at first (“Wah! I don’t wanna go! I’m already a mature writer! Wah!”), in the end I’m glad I stuck with it.
Where did this journey lead me? To a heretofore unknown-to-me tool to add to my writing arsenal, a skill not just limited to crafting radio dramas, but something which can also be applied and is essential to improving my prose in general:
How to show while telling.
What is showing while telling?
Well, it isn’t flashing your second grade teacher while tattling on a classmate about his nose-picking addiction.
It’s taking into account that a radio story is conveyed through actual sound waves moving through the air and physically striking the listener’s tympanic membranes, not photons bouncing off words on a page and being silently absorbed by the reader’s eyes.
It’s embedding narrative information in dialogue without sounding (too much) like the dreaded ‘info dump.’
(I have to admit, it’s really hard to avoid the ‘info dump’ feel, but I actually like that about some of the older radio dramas. So for me, at least, a little bit of over the top exposition adds to the charm. A little bit.)
It’s revealing needed details via the flow of action and events instead of a character saying it.
(In my case, I turned a letter read by the main character in the book into a barbershop quartet that sang the content while interacting with the main characters (by which I mean they got punched a lot). And I liked the result so much, I fully intend to back-fill that change into the book!)
It’s including audio effects in the script – like the sharp crack of a bullet striking a car windshield followed by squealing and the violent roar of the car crashing into a wall – to further convey information that just can’t be reasonably worked into the dialogue.
(Do you really want to hear, in the heat of the action, a character say, “Oh no! A bullet just hit our car’s windshield and broke it! I can’t see! Oof! We just crashed into a wall!”)? No. You don’t.
It’s also hard and I’m definitely still learning.
I discovered, in other words, that I have a lot more evolving to do.
The drama of which I write herein, a chapter from my in-progress novel, Luck Be A SpaceLady, was one of four produced this year by the KFJC Pandemic Players. Social distancing was observed at every stage, which makes the final result all the more impressive. I encourage you to check them out, but especially (because I’m a selfish attention-seeker) their production of my script, found here in MP3 format.
Your Significant Other Will Dump You If You Order The Veal And These Other Items
If you don’t remember the origin of this series (or, more likely, you’ve just stumbled upon this posting in your quest for pictures of naive boy scouts and have no idea what I’m on about), you can catch up here with Part I, here with Part II, here with Part III, here with Part IV, and here with Part V. Just don’t expect reading those entries to help any of this make sense and you’ll be fine. The rules are simple: using the writing prompt book Write the Story, include the ten provided words (underlined in this text) in a story using the given title. Failure to do so results in finding yourself on stage, in front of an audience of your parents and peers, wearing nothing but a speedo and a cape that inexplicably has the word “PHOTOGRAPHER” emblazoned across it.
A Lunch Date Gone Wrong
Is it hot in here, or is it just me? Things were going so well, the relationship seemed back on track. And then…the carnival came back to town.
She started showing up late for dates, or putting them off. Without explanation.
I admit it. I got jealous. I began to assume the worst: she was going to leave me for that cult. When we started dating again, I made a promise to myself. OK, two promises:
I would get all the facts instead of jumping to conclusions.
I would never again roller skate nude under the full moon.
Without using mosquito repellent. You can only draw blood from scratching bug bites too hard so many times before you swear that oath.
So here we are, our brunch date now a lunch date due to her inexplicable tardiness, having a ‘discussion’ over a mango salad about her career, her needs, her hopes and desires. And how they don’t include assuming the traditional housewife role, or monogamy, or, worst of all, punctuality.
My sweet tea couldn’t taste more bitter. I struggle to hold back, to refrain from pitting my rapid-fire questions against her inconsistent logic. She was never late before the carnival returned. She never came over to my place smelling like pipe tobacco and my ex-wife’s favorite perfume before the carnival came to town. We never talked about marriage in the days preceding the cultists’ return.
So why now?
But her apparent calm and detachment only served to fuel my fears that she had tired of me and was returning to her old ways. Leaving me alone, divorced with no path back to my ex, doomed to online dating and online / offline rejection.
So of course I exploded, all of my fears and insecurities a festering eruption that poisoned the conversation, the meal, the entire ambiance of the restaurant. And as she stormed off, her sweet tea just as bitter now as mine but dripping from my face and hair, I had to wonder if this had been her intention all along.
Spread the word! Can't stop the signal!
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Posted by ianmdudley on 20 November 2018 in Angst, Life, Writing, writing prompts
Tags: Am I mistaken or are the tags longer than the actual post this time around? If only I could say that was a first..., assume, balancing your life and your better half's career, career, carnival, cult, duogamy - sounds like it involves dogs so no thank you, eruption, fire, full moon, getting dumped, getting dumped over (an expensive) dinner is another recurring theme in my (past I hope!) life, housewife, I have never been late to a date where I was dumped. I suppose that's worth something. Right?, I lost so many girlfriends to cults that I am forced to wonder if possibly it wasn't the cults but something to do with me., I've been dumped over more salads than I care to (or can) remember. It's why I'm so averse to vinaigrette salad dressings., Is your girlfriend planning to kill you? Probably. You jerk., Is your significant other late because they've been kidnapped/in a car accident/due to a shopping mishap or because they're plotting to kill you? Hope for the best but plan for the worst..., losing your appetite due to being dumped while eating, monogamy, nurse, People never seem to fall into a cult of science...anymore., pipe smoke and your ex-wife's perfume - a devastating combination, promise, public breakup, public humiliation, public shame, punctuality is a virtue of the single it turns out, Riding the Deet train to Bugsville, Roller blading in the nude is an entirely different story. You can roller blade fast enough that the mosquitoes can't keep up., roller skate, salad, sweet, sweet tea as a repellent of bugs (and exes), The carnival coming back to town preceded an uncomfortably large number of the bad events in my life., Those of you who come here because of the childhood Boy Scout picture seriously need to seek therapy and / or stop using the internet., To be completely honest this title hit too close to home as I've never had a lunch date NOT go wrong, trigonogamy - only sleeping with people who fully understand trigonometry?, Turns out there IS a character limit to these tags. Rats., When my writing prompt posts get a hit I fear people found it by accident and stop reading a sentence in. If you read all of it please comment so I know it was just interesting enough to finish., writing prompts