Books sales notwithstanding, everyone knows that I’m an amazing, perfect writer.
I built that writing skill myself, with only a minimal use of schooling or the infrastructure required to make that schooling possible (i.e., cars, roads, traffic lights, law enforcement to make it safe for me to go to school, teachers, text books, pencil manufacturers, Cliff’s Notes publishers, etc.).
That’s right: my books are 100% free of government intervention.
Given my fierce, own-bootstraps one-upmanship nature, I decided it was time to branch out creatively.
I decided to take up something easy.
Naturally, this is something I need to build myself, without costly taxpayer bailouts or subsidies. And my ultimate goal is to reach a level of skill where, once I put out the word for nude models to sketch, a legion of athletic 20-something nubile au pairs will volunteer to pose while watching my kids.
The only requirement I will use to winnow down the host of applicants, beyond the nubile, athletic 20-somethingness of them?
An ability to stand for hours under bright lights while glistening with oil.
The Missus, having just peeked over my shoulder and read what I’ve written thus far, has stipulated a new requirement, bringing the total must-have skills list of my potential models to:
- Au pairish
- Able to stand for long periods under bright lights while glistening with oil and staring longingly and admiringly at their sketcher
- Comfortable with my wife glowering at them from behind me during the sessions
- Speak American, the language of America
However, I’m getting a bit ahead of myself. One cannot simply walk into the role of a great artist. One must make himself a great artist first.
And to that end, I dug through all the how-to books I bought on drawing about ten years ago (total, 2), and settled on Drawing; The Head and the Figure by Jack Hamm.
(An additional selling point on this book? Lots of sketches of nubile, athletic 20-something women who may or may not have been au pairs at the time, but almost certainly spoke American. Alas, glistening in oil was evidently not in vogue at the time this book was published.)
I am also going to document my progress from virtuoso to prodigy here, on the blog. Because I know you all want to bask in the glory of my art.
The first exercise is The Head – In Six Freehand Steps:
Looks straightforward enough, yes? And now, my attempt. Please, withhold your accolades until I’ve completed this blog series on becoming a greater artist.
Just to put that in perspective, let’s place them side by side. I won’t say which is mine or which is Jack’s – let’s see if you can suss out the subtle differences:
You can call me Jack Jr. if you want. Jack wouldn’t mind.
I have to say, I am very excited about my efforts thus far, to the point I’m starting to question the need to continue with the book and instead just put out a call for models.
But I made myself a promise to do the whole book, and if I lack discipline there, how will I ever amount to anything artistically?
Edit: And another lesson down. This one is called Head Construction – The Double Circle and I followed the instructions to the letter (except the part about using a compass to draw circles – that would just scratch my tablet screen!).
The first sentence? “A mechanical method of setting down the proportions of the ideal female head.”
I guess Jack thinks the ideal female is Batman or Robocop, in which case, nailed it!
Part two of my epic artistic train wreck can be found here.
—And now, a word from our sponsor: me! My books are available!